artMumin fans will find out the shape form of stove is a symbol of comfort and welcome nine Moomin Novels by celebrating Nordic and Artist Tove Jansson writer. Now the house is inspiration for a series of art installations in UK cities, in collaboration with Week of Kong Kaganananto celebrate the 80th anniversary of creative moomins.
Taking the motto “the door is always open”, the construction will start next week with a 12ft Blue House Outside the Southbank Center in London, just a knot stone from Westminster. All installations, of artists from countries including Afghanistan, Syria and Romania, facing transition: In Bradford, Palestinian artist Basel Zaraa creates a Tent of Kagilin where life can imagine after work and war; In Gatehead, natural materials have been disturbed by construction To own the left and the whole world (a quote from the philosophical character of the Jansson Charosophic); and a Moomin Raft launch from gloucester ports.
Started winter in 1939 and published in 1945, the first book, Moomins and the Great FloodA “Fairytale”, while Jansson called it, was born from darkness in war. A mother and her son walked into an unfamiliar ground – overcome disasters, natural disasters and fighting their lost family and a place to build a new house. This is the story of millions of refugees after World War II, and a more familiar world today.
With their theme of loneliness, a search for identity and freedom, the books of the Moomin tells anyone to feel that they are not. In the Moomintroll of Finn Family, the inseparable object and Bob (reflection Jansson’s nicknames and his lover, the theater director Vivica Bandler) Arrival in Moominland speaks of a strange language and brings a suitcase with a ruby, a metaphor for their secret love – the homosexuality illegally in Finland until 1971. Frank Cotrell-BoyceThe children’s cape, surprised that “a book written in a Librehan of Finnish Bohemian Finnish” as speaking directly to him. According to Philip BallmanJansson must have won the Nobel Prize in the literature.
All inhabitants of Moominvalley come in different shapes and sizes. Small, I am very angry with the moomin family because “no one else dares”. The groke, symbol of darkness turned away from all he touched the ice, just looking for warmth and inappropriate. Unlike Paddington, other refugees in the postwarThis is the new account as receiving instead of assimilation.
Now, moomins become a sealvalued more cute than good. Janson will undoubtedly make his legacy used as part of the refugee week to develop cases of pencil and oven mitts.
Moominland is a fairytale, away from our 21-century refugee crisis. But this magical world gives a quiet radical message of approval, conflict and hope. MoomInvalley can be described as “an island of strangers”, to borrow bad phrases, and better for it: it’s a place where you shouldn’t be involved. As Jansson wrote in the introduction of moomins and the great flood: “Here’s my first happy ending!”
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