Gen Z and Gen Alpha brought a raw, dangerous social media aesthetic. Why does the feeling of bad nature as before? | Eugene Healey

Gen Z and Gen Alpha brought a raw, dangerous social media aesthetic. Why does the feeling of bad nature as before? | Eugene Healey

artUthentticity is the big mirage in modern times. Its promise – to live unmistakable, following our values ​​and beliefs – as if the ideal is always coming before it ends ahead. And ironically, the more we try to prove that we are real online, we are more expedited to disappear.

As generations Z and Alpha include social media, they responded to cultural needs for perfection for chaos – raw, endless, intentionally dangerous. The casated feed on the flatlays gives the sloppy photo dump; The finstas; the bed. Finally, our real life is represented on the screen. Finally, something true.

Besides it easily turns into a paper to make, a generation specified content genre with a worst camera show, extreme overshare, public breaksowns. The dehyesthetic degradation, which began to reject perfection becomes its own form of perfection – the unpleasant murder.

To find out why reliability is impossible, we first need to understand what social media has done to us. It turns into personal artistic identity – and doing so, we’re all opened to the brands (I need to know, I’m a brand consultant).

Modern experience is a regularly seen. We consider ourselves to the third person, as an entity to be managed. How can this action find me? How can my living room be something I can get?

It is not limited by chronic social media users. Panoptic surveillance, state whether or private, makes us more likely to know that every public activity can be recorded, screenshotted and data-harvest. All the world is an episode – and we are all methods of the way that does not set the character.

The reliability of the simple can not endure this environment in constant performance – we have been separated from our own actions when every moment is filtered by the question of how it is accepted. Social Media facilitates this negation process.

In accordance with the unsuspecting desires of our society, the world of marketing is self through several removal of packaging and selling in fact in the last 15 years. Post a large financial crisis, our efforts to be “real and functional” we see the restraint corporation in the millennial-era entertainment of Garden State or women. Brands such as airbnb chill in a stained revelation procedure – driven by a deep intention and attract a common underlying people.

As many aspects of the millennial culture, this credibility Now enough to be roasted for importance and self-importance, But replaced with something worse.

Now “credibility” means to chess the gen z performance “raw and unchanged. Go to any viral Tick Video and see this unique modern dystopia: a legion of brands colonizing the comment section, all who tell each other in the same sardonic, self, the fourth wall breaking online. Of course, irony, with no more real than multinationals with billions of dollars in market capitalization pretending to be teens, despite us.

If we want credibility, we need to maintain our monitor culture – making spaces where actions do not immediately document, separated and distributed and distributed. But that feels like trying to uninstall the print. The observation infrastructure has become the basis of how we live and work increasingly or less means to withdraw from modern society fully.

So what we need, especially for our youth, an unease of expectation – the promising need for them to optimize and hold each element in the public demonstration of economic development their parents. Because we make a world where your own a brand is not a way of life but a survival strategy putting a blowtorch in the remaining areas of knowledge of knowledge.

The internet has a basis that changes the conditions where there is true self-expression possible. Ang solusyon dili sa paghimo sa pagkatinuod sa labi ka lisud, apan aron mailhan ug pangabugho nga bantayan ang nahabilin nga mga lugar diin mahimo pa nga ang tinuud nga mga pag-istoryahanay, sa mga pribadong mga network, sa mga pribadong mga network, sa mga pribadong mga network, sa mga pribadong mga network, sa mga pribadong mga network, sa mga pribadong mga network, sa mga pribadong mga network, sa mga pribadong mga network, sa mga pribadong mga network, sa mga pribadong mga network, sa mga pribadong mga Network, private networks, on private networks, on private networks, on private networks, on private networks, on private networks, on private networks, at private networks.

With grief, claim that we cannot be real online may be the closest thing of honesty we have left.

Leave a Reply

Your email address will not be published. Required fields are marked *