Say “cheese.” It’s a film about the camera, or more exactly, how we use it and how to shape images what we believe about the world. Think of it, a shot of Giza Pyramids, the perfect postcard entered into our collective mind, which removes a feeling of endless solitude. But move the camera, and the pyramids are next to the raging city of Cairo. Move the camera once more – or it is, a Phys Photo in 1994 by US soldiers in Haiti, rifle ready, preparing for war. But move the angle, and you see a row of pictures, 11 generally, each who takes the same scene. Seeing that a battle season is actually a careful imposed photo op. This film invites you to look closely at the impact of images … … and think about incentives behind what we see. The camera begins as a surprise in 1839, frozen moments in time of silver silver. A few years ago, the technique to take the event was discovered, and the author written by Elizabeth Eastleke about the camera: “Every purpose is to give a real chapter in the world’s history.” In 1895, the creative one brothers hold the first screenings in the public film. Movie pictures are real people, places and events – a mirror in the world. However, a magician sitting at the audience varies differently. Georges Mélies saw other camera possibilities. Her visual tricks have become a success, and find new ways to make money, the magician starts to make news footage. This is the coronation of King Edward VII, or rather, not. Instead of filming the actual ceremony, the magicians of the magician in his Studio in Paris in French actors. If the king saw the film, he said: “What a camera is the camera. The ceremony is still recorded.” From this moment, the camera becomes a tool for telling stories. Its images began to spread the whole world, first through theaters and newspapers. And then in the 1950s, an invention of groundbreaking, progressing to a new mass media season. “It is my privilege to be first talking to you with our new service, telefis éireann. I have to do not have a good business, and the telephone center is commercials. To fill the gaps between ads, popular programs should be done. To achieve this, firms are beginning to measure viewers’ reactions and use this data to create the content that keeps them. “” Will you find me in the way to me. “” I will find me. I don’t want to die in the prison of debtors. “” You describe your station as escopist. What did you escape? “” The realities of the world we live in. Do you remember a show – they may have shown it in England years ago – called ‘The Beverly Billbillies’? “” Yes. “” Everything is frightened here today. And everyone always told us that the rising of gold and the quarters of the stock and all of life. “You understand how important this trip is for me.” “Come, then.” Too. “” You seem to chase Bobby’s dreams. “” I’m sorry you feel that because it’s not true. “” I think after a long day at work, I don’t think you want to do anything physically if you go home or anything. I think just sit and relax in front of television – that’s for the night. I enjoy that. “” Well, I like Telly, and I want me to do it and turn it off if I want to see what’s up. But he needs it all the time. Although there is anything he wants to look or not, it’s up to. But I want to look at it, turn it off. But he is not. “” Here it is, the most exciting television time of good prizes. “” Gel gel and the contour-plus system, “what happens to show news, you are dummy.” Seven years ago, Ted Turner has expanded his formula and found the world’s largest news network, the beer is cold yes, ‘Deadly Rampage. “The shots of the California Shooting Spree. We don’t have to live like this. “” – And the video chiling and manifesto left. ” “We have 20 years of mass murders, all I have told the CNN and our other media, don’t make it a lot of killers. Don’t make these stories to the affected community, and make it as boring as possible in every other market, because every time we have intense Saturation coverage of a mass murder, we expect to see one or two more within a week. ” “But, I mean, hold a second here.” In the early 2000, new technology allows anyone to consume images, anywhere, any time to remove Camue flowers “No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No!” ” “There’s a dog under that truck. Oh, my good, look at it. He just looked at – Oh, my God.” “I’m afraid. Don’t you scare the tone?” “Well, you should also be scared too.” “You have to worry. You’re afraid.” “You may need to be afraid about War in Europe.” “New York streets, are on the right window there, more dangerous now than I see for a long time.” “That’s what you should be afraid.” “You’re afraid. We’re teasing. The ballot democracy. Don’t let them win.” “You’re afraid.” The science of attention comes away from Ted Turner. Media companies not only study our impulses. Which of these are your best movies, and then try to pair the movies with recommendations for the future. And then you have changed from that. Talk about that. “” Everyone will rate ‘Schindler’s List’ five stars, and then they rate Adam Sandler, ‘Do-Over,’ Three Stars. But indeed, when you look at what they look at, Adam Sandler is almost always. “” And so what happens when we rate and we will be diligent in quality, that’s what we’re born. And it’s better to take advantage of people who look at real choices they make. And so, yes, we have some candy, but we have a lot of broccoli. And if you have a good mix, you have reached a healthy diet. “But don’t this cause algorithms are better – really, in fact, as you can do 24 hours?” “sexual intercourse. That’s the answer for all of this. Every one of you – good, if you have 24 hours with me, what is your – – sexual intercourse, every time. We don’t have to do anymore. Everything done. You are very hot. Hubba-hubba. Want to have sex. Gone. What else do we need – I need (expletive) Deleting this app, dude. “Algorithms are designed to get us, each of our own content world.” Kobe Bryant is killed by Clintons. “” Yes, yes, yes, yes, yes. Close the (expletive) up, bitch. (Expletive) you. “” – You are stupid bitch. “” (Expletive) (Bleep) your life. I wish you died (expletive) died, homie, straight. “” You are a (expletive) sheep. Get (Expletive) from here, Commie (Expletive). Hey, this is our city, (Expletive) :. Try to get it. Try and take it. “” You steal the ground, you (expletive) bitch. “” You go? “” I am. “” Do you go? Can we be viral? “” Expected. Hope, we get a bunch of fights now. “President Biden. President Biden, Mr. Blinken. Mr. Blinken, can you hear me? Can you hear me?” “Listen! We lost our democracy. Awake. Awake.” (Beeping) The camera simply saves what is in front of it. It is a machine that can show us our world. But the business model is leading us anywhere. (The Shirelles, “Will You Love Me Tomorrow”) “Tonight, You’re Mine Completely. You give your love so sweetly. Tonight, the light of love is in your eyes? But will you love the magic of your sighs? Will you still love me tomorrow? Tell me now and I won’t ask again: Will you still love me tomorrow? Will you still love me tomorrow? “
Expiring | Death on a beautiful machine
