There are many times I think about being the game director for the end of us, the good video game is from the bad dog, and executive product to The end of television television in the US in HBOwho just packed its second time.
I would have been able to use Joel in the second game and second time of performance. I want to dispose of different actors in lead roles – that focuses on more than those who look like characters in games. But the first time of performance is so good that I have made the decision of Neil Druckmann, Game Director, and Craig Mazin, co-shower. I am a disappointment fan at first, and now I am a performance protector, as my behaviors have changed.
After all, to convert the game in a show, they give respect to Game series my favorite all the time. The first time is rivety and it’s done more than the game with a third stage, in the story of Bill and Frank, which is just a little play. Hollywood does not always have such respect for play properties, and this respect is a nod to grow gaming in a mass culture.
As a game, the original game in 2014 attracts my attention because it’s a Survivist Sitivie Sitrative where every fight with the death of zombies in many games. It’s about sneaking zombies in a nearly cowardly way and squeeze their throats with a knife – close and personal. And while I was tapped into intense action, I stayed for characters and the book beginning and ends, where the beginning of the game is perfect at the end of the game.
I looked at these creators who made this favorite game and made it one of my favorite TV shows. I, Woe, only one fan, where I can only receive the result of their leisure work. The second game was severely tested with my loyalty as a fan, because I killed the characters I loved mercilessly or ceremonies just to be a dangerous world where it was a danger hanged with threads.
And so I hope the tragedy at the second stage where we were all robbed of a character soon, with no chance to say goodbye. I am now amazed at the great budget at that stage where the city of Jackson, Wyoming, it was defended against a giant attack from infected. There are nods of hard bosses in the game, like Tommy gets in Bloat in that fight (but of course that fight has no place of narration). This is a panoramic battle of the different we don’t expect at a time of shows with reduced budgets.
There are variations from the game, with an increase in a therapist, removing the major sequences of fighting, other things that make up the performers who do not translate into the TV screen.
In some ways, I was afraid of the reaction of other fans in Season 2. Ellie would go out of the show show as a lesbian, even if people played at the end of us: Left it, it wasn’t a surprise. The show and the game handles this subject with sensitivity, like any love story. And it makes me proud to see the tests and actors who keep criticisms that such things are “awakened.”
Takes the courage to make these characters and this love story story, which should be considered normal, in the present climate. And as I hated the ends of our end: Part 2 I understand it and how it is part of the simple idea that all our actions have outcomes – and Part 2 of the game series is all about the consequences. When I finish the game, I understand it and my own hate in the features of the game being depleted. It is interesting to see this type of reaction played with a much better TV audience.
I also think about how strategically caused the decision to decide where the second time ends, as we can expect many times to continue for performance. In fact, as is the case with the game of thrones, we can expect HBO ahead of the game series and goes to the new narrative territory that doesn’t come from any game.
I can now see that the structure seems to have a logical break at the beginning of the Seattle theater fight. At this time there are only seven stages, however it comes from the second game in an interesting speed. It shortened long-fashioned fires and focused on the game between characters like Joel and Ellie and Ellie and Dinie and Ellie and Isai. Thinking that some people think it’s so bad, that’s not enough action. But this game is never part of the zombies. It’s about the fellowship of people.
There are some unforgettable moments such as confrontation between Ellie and Nora, where we see that Ellie has changed in a way without returning. I was surprised at first that they spent the big boss fighting and kept Nora a dramatic moment. But showrunner shows her bias: show a lot of people, not more zombies. I thought the actor playing Jesse, a wonderful Asian character like a marlboro man in the west, which followed the character in the game.
The disappearance of beloved characters is intended to tell us that life is short in dangerous world. And yet by the end of this episode seven in the theater scene, the creators returned the message by making this climax throughout the time. In fact, in the second game, never a natural stop point in the middle through events.
I look forward to Abby’s story someday, and I can expect the last combat of characters to give a fodder for a fourth season. But if there is anything I’m afraid most, this is this show ends before I know it. So my showrunner request is to slow it down, catch more than the events of games, and give us more. Don’t rush it and find that you need to invent a whole new story as do the gamerunners in the game of thrones. I think this series of games and shows taught me to fear the ends.
Do you need to play games? Do you need to see both seasons. Of course. They have me at first.
